The so-called functionalism of 20th century conception architecture prevalent, who wanted to know at first glance only purposeful related buildings (including engineering structures) perceived as architecture. The design, proportion imaging and space-creating aspects of construction were explained to actual design theme (architectural renderings Philadelphia).
In narrower sense of classical architecture concept architecture refers to art and / or science of well-planned design of built human environment, ie, the confrontation with the man-made space and in particular the interaction between man (man-made) space and time. Here, the classical definition includes various facets of meaning with a. He stands
Architecture, via its space-creating character can be defined. From this perspective, there is architecture in duality of space and shell. Architecture creates a boundary between inside and outside. Through this limit or shell creates a space to reside and action of people and for storing his things, protected from the adverse influences of outside world.
Architecture is based on Louis Sullivan (1896), "the law of all organic and inorganic, of all physical and metaphysical, of all human and superhuman things, all true manifestations of head, the heart and soul that life is recognizable in its expression, the form ever follows function "(see also: form follows function).
Certain issues that concern architects over again, regardless of style and era. These issues are also the basic criteria of architecture criticism. They are at every design is unique in general to reconsider. Space: the definition, sizing, scheduling, addition and formal design of spaces is the most important task of architecture.
Each nuanced definition turns out on closer inspection to be a struggle for sovereignty of definition and application of power (see the writings of Michel Foucault). Due to implicit normative aspect as any substantive provision remains controversial and is ideologically in core. Any attempt to define - as far as it contains a reflection - is an architecture theory. The definition is based essentially on the relevant retention and the value system of defining person, be it client, architect and architecture theorist.
Architecture manifests itself in a single building, a building complex, a residential structure or in an entire city system. Both single form of smaller and larger units and the entire urban morphology are particularly affected by climatic, technical, topographical and economic boundary parameters. In addition, also have legal, religious, political and other social environments massive influence on architecture, urban design and urban planning. In particular, the representative architecture is often the visible expression of larger society and form of government. For example, the Palace of Versailles as an expression of absolutism. The architecture is therefore an essential part of cultural identity of a society.
The question of what "architecture" is different (as art) of naked "construction" has long been a (strongly ideologically colored) discourse out. In general it can be said that architecture due toir special design quality with simple functional buildings that are committed to maximum benefit, beyond and thus becomes the architecture (see also aesthetics). The idea of what is the real architecture achievement in design and manufacture of a building and elevates the building beyond the purely purpose Representative has changed significantly over the past century: By the end of 19th century, it was mainly the use of traditional designs - the so-called style - with mostly rich ornamental embellishments in which the artistic rank manifested itself into a sphere of pure pragmatics as an added value and beauty of a building in conscious opposition.
In narrower sense of classical architecture concept architecture refers to art and / or science of well-planned design of built human environment, ie, the confrontation with the man-made space and in particular the interaction between man (man-made) space and time. Here, the classical definition includes various facets of meaning with a. He stands
Architecture, via its space-creating character can be defined. From this perspective, there is architecture in duality of space and shell. Architecture creates a boundary between inside and outside. Through this limit or shell creates a space to reside and action of people and for storing his things, protected from the adverse influences of outside world.
Architecture is based on Louis Sullivan (1896), "the law of all organic and inorganic, of all physical and metaphysical, of all human and superhuman things, all true manifestations of head, the heart and soul that life is recognizable in its expression, the form ever follows function "(see also: form follows function).
Certain issues that concern architects over again, regardless of style and era. These issues are also the basic criteria of architecture criticism. They are at every design is unique in general to reconsider. Space: the definition, sizing, scheduling, addition and formal design of spaces is the most important task of architecture.
Each nuanced definition turns out on closer inspection to be a struggle for sovereignty of definition and application of power (see the writings of Michel Foucault). Due to implicit normative aspect as any substantive provision remains controversial and is ideologically in core. Any attempt to define - as far as it contains a reflection - is an architecture theory. The definition is based essentially on the relevant retention and the value system of defining person, be it client, architect and architecture theorist.
Architecture manifests itself in a single building, a building complex, a residential structure or in an entire city system. Both single form of smaller and larger units and the entire urban morphology are particularly affected by climatic, technical, topographical and economic boundary parameters. In addition, also have legal, religious, political and other social environments massive influence on architecture, urban design and urban planning. In particular, the representative architecture is often the visible expression of larger society and form of government. For example, the Palace of Versailles as an expression of absolutism. The architecture is therefore an essential part of cultural identity of a society.
The question of what "architecture" is different (as art) of naked "construction" has long been a (strongly ideologically colored) discourse out. In general it can be said that architecture due toir special design quality with simple functional buildings that are committed to maximum benefit, beyond and thus becomes the architecture (see also aesthetics). The idea of what is the real architecture achievement in design and manufacture of a building and elevates the building beyond the purely purpose Representative has changed significantly over the past century: By the end of 19th century, it was mainly the use of traditional designs - the so-called style - with mostly rich ornamental embellishments in which the artistic rank manifested itself into a sphere of pure pragmatics as an added value and beauty of a building in conscious opposition.
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